Music as Discourse: Semiotic Adventures in Romantic Music (Oxford Studies in Music Theory) [Kofi Agawu] on *FREE* shipping on qualifying. Music as Discourse: Semiotic Adventures in Romantic Music. By Kofi Agawu. Article in Music and Letters 91(1) · January with 22 Reads. Music as Discourse: Semiotic Adventures in Romantic Music. Joseph Kraus. Joseph Kraus Journal of Music Theory () 57 (1):
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Music as Discourse
It furthers the University’s eiscourse of excellence in research, scholarship, and education by publishing worldwide. Does it communicate specific ideas and emotions? Kofi Agawu’s Music as Discourse has become You could not be signed in. You do not currently have access to this article.
Postcolonial Notes, Queries, Positions. Duscourse Agawu’s Music as Discourse has become a standard and definitive work in musical semiotics. This book, with its lapidary clarity, its surprising insights, and its emphasis on musical meaning, is going to change all that. Other editions – View all Music as Discourse: Beethoven, String Quartet op.
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Nielsen Book Data Publisher’s Summary The question of whether music has meaning has been the subject of sustained debate ever since music became a subject of academic inquiry.
Semiotic Adventures in Romantic Music. Don’t already have an Oxford Academic account? Criteria for Analysis I– 3. Of how many analytical manuals can one say that? The book provides extensive demonstration of the pertinence of a semiological approach to understanding the fully-freighted language dlscourse romantic music, stresses the importance of a generative approach to tonal understanding, and provides further insight into the analogy between music and language.
Account Options Sign in. Kofi Agawu’s Music as Discourse promises to quickly become a standard and definitive work in musical semiotics.
Music as Discourse will be eagerly read by all who are interested in the theory, analysis and semiotics of music of the romantic period.
Music as Discourse Semiotic Adventures in Romantic Music Kofi Agawu Oxford Studies in Music Theory Demonstrates a possible interface between semiotics and music theory Approaches the subject of musical meaning from within technical views of musical structure Accessible to readers with a less advanced background in music theory.
Don’t have an account? Mahler’s Symphonic Sonatas Seth Monahan. Is music a language? Criteria for Analysis I 3. Published by Oxford University Press. SearchWorks Catalog Stanford Libraries. Bridges to Free Composition– 5. Physical description vi, p.
This elegant and rich book needs to be lived with and digested. Audacious Euphony Richard Cohn.
Academic Skip to main content. It furthers the University’s objective of excellence in research, scholarship, and education by publishing worldwide. Describe the connection issue. Does it communicate specific ideas and emotions? Oxford University Press is a department of the University of Oxford. If you originally registered with a username please use that to sign in. What does music mean, and how does this meaning occur? Receive exclusive offers and updates from Oxford Academic.
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Music as discourse : semiotic adventures in romantic music / Kofi Agawu – Details – Trove
Oxford Mhsic Press is a department of the University of Oxford. My library Help Advanced Book Search. Beethoven, String Quartet, op. Oxford Scholarship Online This book is available as part of Oxford Scholarship Online – view abstracts and keywords at book and chapter level. Purchase Subscription prices and ordering Short-term Access To purchase short term access, please sign in to your Oxford Academic account above.
Music as Discourse: Semiotic Adventures in Romantic Music – Kofi Agawu – Google Books
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