Listen to Danza Caracteristica by Leo Brouwer Download Danza Caracteristica by Leo Brouwer Guitar Pro Download Danza Caracteristica by. Juan Leovigildo Brouwer Mezquida (born March 1, ) is a Cuban composer, conductor, and . 2; Preludio; Danza Característica “Quítate de la Acera”; Dos temas populares cubanos. Canción de cuna (Berceuse), after. Danza Caracteristica by Leo Brouwer tab with free online tab player. One accurate version. Recommended by The Wall Street Journal.
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Danza Caracteristicaby Leo Brouwer b. This lesson will explore coordination, artificial harmonics, and 20th century Cuban music.
Method: Leo Brouwer’s Challenging and Modern ‘Danza Caracteristica’
Brouwer is a conductor, caraacteristica, guitarist, and arguably the foremost modern Cuban composer. He composed his first pieces in at age Since that point he has produced a steady flow of music that has included solo and chamber pieces, film soundtracks, concertos, electric music, ballet scores, and more—with the guitar ever present.
This cell requires a confident level of fine control for its syncopation to stand out. The main aim is to practice thumb control with slurs, RH independence, and barres. The goal is to dampen the first bass note, after playing a rest stroke on the accented note, dampen that, and then play the third—all the while keeping the in-between notes even and running.
Danza Caracteristica by Leo Brouwer – Classclef
Danza will test your coordination skills. Micro Study 2 derived from bars 19 and 20has been designed to bring to light the conga rhythm.
The aim is to play the first chords together, and afterward beouwer the chords marked rasg. This is achieved with RH finger independence: Work on the p bass pluck with a finger pluck, then add in the a with i finger pluck. D minor, G minor and E minor.
It can be caracteirstica into the following sections: The A sections are marked by the opening ostinato rhythm, bar 1, which is literally transposed into D minor bar 25 and then E minor bar Section B bar 15 utilizes the cinquillo cell, into a direct statement of the conga rhythm with chords bar There are two main LH slurs found in this piece: Micro Study 4broken into two carateristica, is aimed at improving both techniques. The first is an adoption of an idea for strengthening the LH fingers which Brouwer shared in a master class.
Aim to slur cleanly while maintaining a barre chord. The second idea, based on bars 68—69, is for practicing the double hammer-ons and pull-offs.
Aim for striking the strings accurately, fingers together, with a solid tone. Practice the pull-offs—technically a pull down movement—in one fluid motion together. Again, chunking the actions into sections will help.
Concentrate on the harmonization of the LH fingers first, then synchronize dwnza pull-offs. Bear in mind that a certain level of left and right coordination will be required to get it zinging at speed. The musical language that Brouwer utilizes in this piece is full of colorful aural clashes—the opening 9th interval, the prevalent flatted 5th interval, etc.
Each is used across Danza to great effect.
Method: Leo Brouwer’s Challenging and Modern ‘Danza Caracteristica’ – Classical Guitar
Brouwer also cleverly employs two diminished 5th diads as a maj7 b 5 sus4 chord, chromatically up the fretboard bars 33—35 and 49—52with the first cell of the conga rhythm. This is the start of the language that Brouwer would develop further during his avant-garde era and beyond. The ending is Brouwer manipulating time bar onwardsso mark the rests carefully. Composing, for Brouwer, is sometimes analogous to filmmaking: It is possible to zoom in on subjects, pan across them, or slow down and alter scenes.
And Danza Caracteristica is an excellent piece with which to come to grips with his unique language.