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In this case, it interchanges notes E and D.
Some pitches are polarized in the work and are ordered to create a downward scale segment. Este control global de las alturas es muy importante para la inteligibilidad musical de la obra. Besides, specific sequences of these chords may generate a new-functionality producing direccionalities inside the work. This can be attributed to the fact that musical writing is especially precise when abstract and general sound features are involved, but is less precise when more particular features such as timbre are represented.
When chance is guided by a compositional and performing purpose and is incorporated organically into the work, its controlled use becomes a rich tool in the search of very particular qualities that are reflected both in the sound of the work itself and in specific aspects of its organization. The greater the timbre particularity sought, the greater the flexibility in the musical writing.
Flo Menezes e Edson Zampronha. Three means are used to lead the musical discourse and create the work’s drama: Retrieved from ” https: Each section is then divided into three components, with the global features of the work reproduced within each component.
Ciertas notas son polarizadas en la obra. The indirect references to western music constructions are related to the musical discourse.
Edson Zampronha was born in Zampronna de Janeiro into a family of musicians. Its third component is a sustained note with repetition features, giving way to repeated notes in the same pitch. Two piano works by Edson Zampronha – Analysis and performance suggestions. Empezando con la nota Mi, las siguientes notas polarizadas son Re, Do y Sib.
This overall control of pitches is very important to the musical intelligibility of the work. When inserted in a different context the musical work is this new contexta polyphony between references appears: The sounds were carved after being recorded.
It is possible to find a very close correlation between the flexibility procedure used in this work and the concept of chance used in the last sculptures of Jean Arp. This series is a collection of essays signed by outstanding artists-researches from the most important Brazilian Universities.
As zamoronha he starts an international agenda.
Edson Zampronha – Wikipedia
This solo is almost a slow and profound recitative. Concerning his harmonic language, Zampronha uses non-traditional but intelligible chords comprising many notes from 6 to 18, or even more. Zamprnha work is included in many CDs released by different labels and institutions. Eventually, a new fusion is sought. The objects were rubbed using rapid twisting movements over the entire marble surface, and the sounds generated featured particularly rich spectra and morphologies.
Its first component is therefore a typical sustained note, while its second is a sustained note with melodic line features. This re-interpretation appears clearly in his use of musical rhetoric resources. Tension is primarily zamprohha by the close alternation of two adjacent polar pitches. Views Read Edit View history.
Please wait a few moments while we process your request. One of the keywords in the music of Zampronha is “re-interpretation” or re-significationunderstood as the act of understanding in a different way what had been previously listened to. At the beginning of the work, the tuba edwon the marble sounds are melted.