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Expert Posted by carlbupdated: Capo 2 to sound aEADE. Unusual fingering of the 5th string at the 7th fret to play one phrase. Expert Posted by blanhamupdated: Expert Posted by JAHupdated: The blavk fiddle tune, the 8th of January arranged for melodic style banjo. The first two breaks are exactly the same, and are in the melodic style with some slight variation on the melody. The third break presents an alternate way to play the melody, in single string style, as well as some more slight variations.
Expert Posted by mikemoyes2updated: This is my attempt at transcribing Noam’s solo break ln this Punch Bros youtube video Capo up to B to play with the video. Expert Posted by banjoisticupdated: Put the capo and the fifth-string capo up two frets. I “wrote” tabledt in Check out the audio in my media section. An old pop song from the ‘teens, Alabama Jubilee. This is great fun to play, and an excellent tune to jam on as the chord progression lends itself well to improvisation.
The two breaks presented here are the melody and a variation closely based on the melody. It has some rolls that are kinda difficult to pull off at higher speeds, mainly the “Dixie Breakdown Roll”, so practice, of course, is in order.
A rarely played gem; teach it to your local jam and you’ll have a blast! Expert Posted by Tom Hanwayupdated: In memory of Bill Keith, here is a lovely Welsh air in Celtic fingerstyle that can be played as a Christmas tune. Expert Posted by waystationupdated: The book contains multiple versions of 15 tunes.
[Hollies] Long Cool Woman (In a Black Dress) MIDI – MP3 – Karaoke – Sheet Music •
The arrangement in C is easier to play. This is the G arrangement. You can hear these two tabs played in my Blakc MP3 library. The famous Irish air and lament about an boating accident near Galway town, based on Dolly MacMahon’s sean-nos version in A Dorian.
It’s in the key signature of G, but that’s misleading because it’s sometimes A Dorian as sung hereor, on the uilleann pipes same key signaturewhich sounds less vlack A Dorian and more like D Mixolydian.
Expert Posted by ChuckJoupdated: He infuses his rich womsn of tunes with a distinct bluesy sound characterized by powerful, yet smooth bowing and remarkably clear intonation. First, I learned to play this tune on the fiddle. Eventually I was able to eke out a fair approximation of The Cat. But of course, it kept coming back, insisting that I give it the attention it deserved, so that now it lays curled up comfortably cook the fire amongst the other familiar G tunes.
I suppose it became jealous of my time on the banjo, so slyly crept into my clawhammer fingers, where it sits now as a banjo favorite.
A brief bio of Doc Roberts compiled from the internet Wikipedia and other sources Dock Philipine Roberts was born in near Kirksville, Madison County, and learned to play the fiddle at an early age with some help from his older brother Liebert. Doc’s and Liebert’s musical mentor was the African-American fiddler Owen Walker who was born inand taught Roberts most of his tunes.
After finishing his studies in Berea Roberts married in They recorded in April for Paramount. They made their recording debut in May for the Gennett label. Betweenthe duo performed at fiddler’s conventions, in schoolhouses, on vaudeville stages, and on radio WHAS in Louisville, Kentucky.
Long Cool Woman (In a Black Dress)
After only two weeks he quit the show and moved back to Kentucky because he was unable to sleep due to the noise of the big city. The Doc Roberts Trio lasted until when Roberts retired as a recording artist. During the next 4 decades, he continued to make personal appearances and occasional radio works. He died at the age of 81 in his hometown of Richmond. The Cat Came Back: Miller Song of The racism that runs through much of American popular culture is revealed again. Expert Posted by Doug Knechtupdated: This song is in F tuning, not open G.
From open G tuning, take every string down a step to get to F tuning. Expert Posted by GeoMatt22updated: I’m hoping some kind and more experienced member could easily use Tabledit to cut and paste over to appropriately tuned banjo and clean up, since I’d have no idea!
Expert Posted by corcoranupdated: I had not played or thought about Arab Bounce for decades until someone recently mentioned it on BHO, prompting me to dust off the memory circuits and revisit the tune. If you listen to the original recording, pay attention to Jimmy Martin’s superb rhythm guitar playing. Expert Posted by Jacob Underwoodupdated: This is my banjo solo for the song “Are You Missing Me.
I have never done much with tablature, so I would love to hear what you all think. Expert Posted by TheBanjoPrinceupdated: Visit my site at www. There are two breaks, the first one going to the banjo and the second one a Reno-ish guitar break, part of which is taken from Jeremy Stephens guitar part on his CD, the “Scarlet Banjo”.
This could be either an Intermediate or an Expert tab. This tune changes from D to Dm, and repeats forever, although you’ll want to stop sooner. I got it from the Portland Collection. As with most fiddle tunes adapted for banjo, it’s not note-for-note, but it’s close and it’s playable. Expert Posted by Jack Bakerupdated: Expert Posted by Devon Wellsupdated: You can check out my version on youtube.
Alot of up the neck stuff for the A section then back down for the B. Expert Posted by Matt Davisupdated: Not Entirely finished, but good and long portion of Bach’s 1st violin sonata tabbed out for banjo.
Expert Posted by tmoneygetpaidupdated: Expert Posted by cgainey77updated: This is a transcription of the Andante movement from J. Bach’s Sonata for solo violin No.
Not that everything on the banjo needs to be in G Major, of course, but this piece is especially resonant in the banjo’s most idiomatic tonal area. Expert Posted by banjopietupdated: First page of this Allemande, until the first repeat. The rest of this piece is three times as long!
Have fun with it! Expert Posted by BanjoNikopolisupdated: Back Up Lick by Frank Eastes.
Expert Posted by Jocko MacNellyupdated: Copyright, me,enjoy! Bay State Bounce is a wonderful melodic tune written by the great Bill Keith, who after Earl Scruggs was the major influence on my playing in the s. Bill plays it in A capo up 2. Thanks to Bill for clarifying how he plays the B part.
It is a tough tune to master, but well worth the effort. You might find, for example, that some of the ideas in the B part can be incorporated into a variety of other tunes. BSB is a brilliant original banjo tune written by Bill Keith.
Many years ago I posted a tab of BSB, but in recently watching a youtube video of Bill playing the tune I detected some errors in my tab.
So I have tried to render a tab that is closer to the way he played it. The B part is particularly difficult for the left hand.
Long cool woman in a black dress – The Hollies
Pay attention to the section in measure 11, where the trick is to use your index finger to barre the 1st and 2nd strings at the 10th fret and then fret the 5th string at the 14th fret by s-t-r-e-c-h-i-n-g over with your ring finger. Lkng up 2 to play in the key of A. Here’s a Texas fiddle favorite, “Beaumont Rag”.
I have it arranged here in my favorite key dfess F. Labeled “Bluegrass Scruggs style, but it’s mostly single string and some Reno rolls.